Friday, December 18, 2009

Grilled salsa turns up the heat

By Helen Klein

To a grilling aficionado, pretty much everything tastes better when it’s been kissed by an open flame.

I am certainly one of those, perhaps because I grew up in an apartment, and barbecued food was only an occasional treat when I was young.

No matter. Now that I have my own house, you can find me in the backyard several evenings a week, as long as it’s not actively precipitating, even if all I’m doing is just flipping burgers.

Nonetheless, when I have the grill roaring, I usually try to utilize the golden flames to the max, throwing on a couple of peppers or a couple of ears of corn (silks removed, then wrapped back up in their own husks), where ever there is some open space on the grate. Those vegetables then find their way into side dishes and main courses over the next few days, if they aren’t eaten more quickly.

This grilled salsa, which also functions as a sophisticated salad, nestling up cozily to a piece of grilled steak or chicken, evolved when I had a crisper full of veggies, a couple of containers of beans open in the fridge, and a meltingly ripe avocado just begging to be used.

While I’ve dubbed it a “grilled salsa,” not every ingredient is cooked. Rather, the peppers, onion, garlic and corn all benefit from the flavor-enhancing properties of direct heat, while the beans go straight into the salad from the refrigerator and the cilantro, cucumber and avocado are raw.

This is the kind of dish I make expecting leftovers. However, with four of us chowing down, that didn’t happen.

Memo to self, next time, double the recipe.

Grilled Salsa

Ingredients

1 red pepper, seeded, cored and slit open to lie flat on the grill
1 yellow pepper, seeded, cored and slit open to lie flat on the grill
1 medium sweet onion, such as Vidalia or Maui, cut in thick (½-inch) slices
2 ears corn, husks peeled back and silks removed, then rewrapped in husks
3-4 garlic cloves, peeled and stacked on a metal skewer
1 Hass avocado, peeled and cut into ½-inch cubes
2 kirby cucumbers, peeled and cut into ½-inch cubes
½ cup canned navy beans, drained and rinsed
½ cup canned black beans, drained and rinsed
¼ cup fresh cilantro leaves, chopped
1 medium lemon, juiced
1 lime, juiced
Extra virgin olive oil to equal the amount of citrus juice from lime and lemon
1 tsp. ground cumin
Salt and freshly ground pepper to taste

Directions

Lightly coat the peppers, onion, corn and garlic with oil.

Cook peppers, onion, corn and garlic over medium flame on open grill, flipping onion after 3-4 minutes, turning garlic every minute or two, and turning corn every 3 minutes, removing vegetables as they are done. The onion should be golden at the edges and translucent. The corn husks should be charred. The peppers are done when the skins have blackened, and the flesh is tender. The garlic is done when the outside has browned slightly and the flesh has become tender.

When cool enough to handle, cut the peppers into ½-inch squares, dice the onions, remove the corn kernels from the cobs and chop the garlic.Combine peppers, onion, corn kernels, avocado, cucumber, beans and cilantro in a large mixing bowl.

In a separate small bowl or measuring cup, combine the garlic, the citrus juice, the olive oil, the cumin and the salt and pepper till thoroughly blended. Add to vegetables and mix till the vegetables are thoroughly coated. Taste and adjust seasoning. Chill till serving time.

Serves 4-6.

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Thursday, December 17, 2009

Pumps & Pleats: Dress your ego in style



Story and photos by Michèle De Meglio



Sometimes a pair of basic Levi’s just won’t cut it. In those instances, opt for some bling on your jeans.



It’s All About Me Now, a new women’s apparel and accessories boutique just steps from Marine Park, offers affordable designer denim that looks like a million bucks.



Many of these trendy jeans, retailing for $40 to $50, are decorated with rhinestones and shiny hardware on their back pockets. Several pairs boast clear and gold crystals, giving a diamond effect. You’re sure to attract attention when walking into a club in these sparkly skinnies!





If you’re more into Rihanna’s tough girl look than Beyonce’s bling appeal, try a pair of stonewash jeans with matte black studs covering the back pocket. Now that’s rock star style!



Even the brand names are cool — LA Idol, Machine and Ecko Red. Seriously, who wouldn’t want to wear a pair of pants made by Flying Monkey Jeans?



It’s All About Me Now isn’t all about denim. The boutique carries of-the-moment handbags, jewelry, tops and sweaters. There’s also a slew of perfect party dresses.





A slinky black sheath gets a hard edge thanks to a strip of leather and silver studs. An added bonus, it’s less than $47!



Feeling blingalicious? Get a similar cocktail dress blending black satin with big and bold crystals ($46).



With these fresh styles and wallet-friendly prices, Pumps & Pleats has just one thing to say — gimme some bling!



It’s All About Me Now is located at 3102 Avenue U. For hours call 718-513-6665.



Michèle De Meglio is a native Brooklynite addicted to all things chic. Check out Pumps & Pleats each week for more adventures as she scours the borough for fab duds and accessories.

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Kitchen Klutz: Santa Claus needs a sugar rush


Photos by Joe Maniscalco


By
Michèle De Meglio


Santa Claus is real! And he’s hungry!



In hope of appeasing that famously jolly fellow, I’ve continued my holiday cookie extravaganza with a round of sugar cookies. Mmm!



Admit it, when you were 10 years old, there was nothing more exciting than leaving a plate of warm cookies and a tall glass of milk for Kriss Kringle.



Growing up in Starrett City, I joined my brothers in placing our cookies and milk combo by our apartment’s terrace door. Our digs lacked a warm fireplace so how else was Santa going to get in? Duh!



We even went so far as to demand that our mother unlock the terrace door so Santa wouldn’t have any trouble. This may have been a safety concern but I really wanted a She-Ra castle!



After we screamed at the top of our lungs (three annoying brats can be pretty persuasive), my mom eventually relented and opened the door.



Looking back, I’m sure she sighed and locked the door two seconds after we ran to our beds.



But that’s not the point. The point is that we were so excited to wake up Christmas morning and discover that the cookies had vanished!



In hope of recreating that magical feeling, I concocted a batch of sugar cookies over the weekend.



I combined a bunch of ingredients (such as eggs, butter, flour and sugar, of course) in a mixing bowl and got to stirring. Then, I spooned the batter onto a cookie sheet and into the oven it went!



Verdict: There’s not enough sugar on my sugar cookies! The treats came out soft and moist but lacked the sweetness necessary to satisfy Santa. Gosh, I hope Mr. Claus isn’t mad. I’m jonesing for a Kindle.



Kitchen Klutz follows 20-something Michèle De Meglio as she burns casseroles and her fingers, all in hope of trading frozen dinners for home cooking.

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More 'Brief Encounter'

Merry Christmas, theater-goers (and movie lovers).


St. Ann's Warehouse in DUMBO has extended its run of "Brief Encounter," a multi-media adaptation of the 1946 film of the same name that the Times felt "felt enlivened, enlightened and seriously moved" by.

The show is running another two weeks, till to January 17. Go forth and get enlightened.

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Busy season for Antibalas

Tonight, after an exhilerating but still somewhat grueling performance at the critically acclaimed Broadway production of Fela!, where Antibalas has been supplying the beats for the past few weeks and acting as house band (as audience members enter the theater, they're jamming on stage), the band will hop in a cab to Williamsburg, where they will play into the wee hours of the morning as part of their December residency at the Knitting Factory.

Then, it's back to Fela! the next night to do the show all over again.

Not that they're complaining. For any band playing in New York, two steady gigs ain't bad. Especially when it's playing music that you love - afrobeat.

Read more about Antibalas in our paper, and check out a live performance at the Knitting Factory earlier this month below.

Want more afrobeat? Knitting Factory hosts Fu-Meets-Broadway, a night of music from Amayo (of Antibalas) that blends traditional Chinese Lion rhythms and Nigerian Afro-beat, which will feature members of the band and cast members of Fela!. Coming up, there's also Akoya Afrobeat at Southpaw on January 8, and Budos Band at the Park Slope venue on January 16.

And, while you're at it, find out what all the Fela! fuss is about.


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Cast off: Inside the Brooklyn Navy Yard

By Meredith Deliso

John Bartelstone caught his first glimpse of the Brooklyn Navy Yard in 1967 while on a tugboat in the East River.

“The first time I saw the Yard I thought, I had to get in there,” says Bartelstone, a former architect who currently works as a Manhattan-based freelance architectural photographer. “It didn’t look like anything else in the city, at least that I knew of.”

One of the city’s oldest and largest industrial facilities, the Yard occupies 250-acres on the East River between the Williamsburg and Manhattan Bridges. An active site since the early 1800s, it currently is an industrial park with a range of manufacturers and light industries, and is a source of inspiration for the city’s more adventurous artists.

Bartelstone didn’t get in there until 1984, where he was further captivated by the history and industrial structures. For the past 15 years, he’s been heading into the Yard with his camera in hand, photographing its docks, buildings and ships, bargaining for access in exchange to donate all the photos he’s taken to the Navy Yard for their records (he’s been true to his word).

This month, you can see some of his photos for yourself, as DUMBO-based publisher powerHouse Books releases “The Brooklyn Navy Yard,” a collection of Bartelstone’s black and white photographs of the industrial space.

Shot from 1994 to February of this year, the photos show a place out of time, a “gold mine” for an eye like Bartelstone’s. The photographer is interested in immersing himself in parts of New York that are disappearing, and, as its radio towers, cranes and buildings have been torn down over the decades, the latter of which to make way for developments like Steiner Studios, the Navy Yard is as good as place as any to preserve on paper.

At the same time, the Yard’s been renovated over the past decades — roads revamped and new buildings constructed — and Bartelstone finds there’s a “little less to discover now. The complexity is diminishing in a sense.” Nonetheless, “It’s really such a fertile place,” says Bartelstone, who can still be found in the Yard shooting every few months or so. “There are so many wonderful forms there. It never stops being interesting.”

Pamela Talese has been similarly entranced by the Yard. The painter couldn’t help but notice it as she biked from Astoria to Red Hook on a waterfront project.

A kindred spirit of Bartelstone’s, the two have also become friends through their work, industrial documentarians in the same vein as the photographer Stanley Greenberg who often capture overlapping images of the Yard’s docks and ships — he by camera, she by paint (evidence to the right, in Talese's painting of The Baltic Sea, found on the cover of Bartelstone's book).

“I can’t seem to get away from it,” says Talese, who’s in the Yard five days a week, 9-5, painting on site. “I’m totally addicted to the Yard.”

Since 2005, she’s been carting her supplies on a flatbed trailer attached to her bike and setting up her easel at the Yard, documenting its dock workers, dredgers and massive machinery in her plein-air oil paintings. The artist has had three shows at Atlantic Gallery in Manhattan devoted to or including paintings of the Yard and is at work on a fourth.

“I want to continue working at the Yard,” says Talese, who also lives in Manhattan, but finds herself more at home in the grittier parts of Brooklyn. “I think it has more to say, or I have more to say about it.”

With only workers generally permitted to wander the Yard, Bartelstone’s book, as well as Talese’s faithful paintings, present a rare insight into one of the city’s remaining working harbors.

“The place has always been mystery,” says Bartelstone. “No matter when (people) see it, it will always be amazing.”

“The Brooklyn Navy Yard” is available through powerHouse Arena for $50.

Cover courtesy of powerhouse Books. Pamela Talese photograph courtesy of the artist; photograph by John Bartelstone.

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Origami and the art of everything

By Joe Maniscalco

If you’ve ever found it impossible to properly fold a road map, you will be absolutely astonished by what the folks profiled in Park Slope filmmaker Vanessa Gould’s new documentary airing on WNET-TV later this month can do with a single scrap of paper.

Part of PBS’ “Independent Lens” series, “Between the Folds” looks at origami and the intriguing nexus where art and science intersect on paper.

Neither adding nor subtracting anything, origami is the traditional art of paper folding that involves a single sheet of uncut paper deftly manipulated by hand to produce virtually any subject the mind can conjure.

“The cool thing is not that an artist or a mathematician is doing origami,” Gould (pictured) says. “It’s that they are both doing origami.”

Whether driven by complex formulas or divine inspiration, the kinds of origami featured in “Between the Folds” approaches the miraculous. Bands of woodland gnomes finger delicate flutes and fiddles, while writhing dragons flex fiersome claws and hundreds of individually detailed scales. Incredibly complex geometric shapes seemingly imported from the upper dimensions appear to breathe and bend with uncanny power.

“Everything folds,” artist Paul Jackson says in the documentary. “The air when we speak...our DNA.”

Gould began working on “Between the Folds” as a first-time filmmaker five years ago. At the time she resolved to find the best people - animators, composers and editors, with whom should could collaborate.

She found everyone she was looking for right here in Brooklyn.

“I was so thrilled looking for people to work with,” Gould says. “There is so much creative and talented energy in Brooklyn.”


Even with a background in both music and the sciences, the Boston transplant nevertheless had little knowledge of origami itself.

All that soon began to change, however, after meeting Professor Tom Hull, a mathematics professor at Western New England College who uses complex origami as a visual and theoretical model to teach his students.

From there, Gould went on to discover more about the surprising world of origami meeting other practitioners like MacArthur “Genius” Fellow Dr. Erik Demaine and celebrated French artist Eric Joisel.

Like origami itself, the process of filming “Between the Folds” was intense, complex and exhausting. Gould was turned down 10 different times for grants.

Throughout it all, the burgeoning documentarian says she experienced her own kind paper-like metamorphosis.

“I always felt like I was trying to become something else,” Gould says. “It felt so natural.”

Process lies at the heart of “Between the Folds” where the act of creating art proves to be just as fascinating, as the actual product.

“When you’re looking at a finished piece of origami, it’s hard to see how special the process is,” Gould explains. “It completely redefines your appreciation for it. The process is a really important part. Nobody talks about how a painting gets painted.”

“Between the Folds” airs on December 27 at 10 p.m.

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