Thursday, May 21, 2009

Mid-Eastern munchies: Lebanese Food Fest coming


Chow down on chicken kabobs, kibbe and other Middle Eastern fare, and take in some sultan sounds, when Brooklyn Heights welcomes the Lebanese Food Festival May 29 - 31.

Organized by the Our Lady of Lebanon Maronite Catholic Cathedral (113 Remsen St.), the festival will take over Remsen Street, between Henry and Clinton Streets, with music, food and games.

The festival used to be a staple in downtown Brooklyn for the church, which attracts congregants from all over Brooklyn, primarily Bay Ridge and the downtown Brooklyn area, as well as New York City, Long Island and New Jersey. For most of the 1980s and 1990s it went on each summer before taking a hiatus. Father James A. Root brought the street event back last summer to much success.


“Growing up in Cleveland, we always had a Lebanese food festival,” said Root. “It’s always been a big thing for us. It brought us into a better understanding, not only of our people, but to see how people respected our culture and our tradition.”

Brooklyn’s festival will feature such Middle Eastern food as chicken kabobs, kibbe, the national dish of Lebanon, tabouli, hummus, baba ganoush and stuffed grade leaves, as well as pastries, all made by the church’s parishoners.

“The women of the parish have been coming together, started preparing the grape leaves,” said Root a couple weeks before the start of the festival.

Bands and DJs will also be hand for entertainment, including the popular five-piece Amin Khoury and the Sultans, as well as a casino.

“We make it family friendly,” said Root. “You can come here and you’re not going to spend hundreds of dollars to eat. Everyone is welcome.”

Also this month, the church, which is under the patronage of Our Lady of Lebanon, will have a special adoration every Friday at 7 p.m., as well as displays celebrating Lebanese culture, including costumes for folklore dancing and other artifacts.

‘People can have a little idea of the identity of the Lebanese people,” said Root.

Our Lady of Lebanon Maronite Catholic Cathedral is located at 113 Remsen St. For more information, call 718-624-7228.


--Meredith Deliso
published in the 5.21.09 issue of 24/Seven

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Dat bum! Meet the Walter O'Malley you only thought you knew in 'Forever Blue'


A recently released book by Pulitzer Prize winning journalist Michael D’Antonio takes aim at an article of faith among many old-time Brooklyn baseball fans: That Walter O’Malley, the former Dodgers owner enshrined in the baseball Hall of Fame in 2008, was primarily to blame for moving the Dodgers out of Brooklyn after the 1957 season.

Instead, the book – entitled Forever Blue: The True Story of Walter O’Malley – posits that O’Malley made an earnest effort to keep “Dem Bums” in Brooklyn, on the condition that the city let him build a new stadium at the intersection of Flatbush and Atlantic Avenues. He believed such a stadium was necessary to raise sufficient revenues for his team to compete with the cross-town Yankees, a cash-infused perennial power then as today.


But O’Malley’s efforts were thwarted by Robert Moses, the powerful bureaucrat, who wanted instead to build a stadium in Queens on the site of what became Shea Stadium and then Citi Field. After years of trying to make it work in Brooklyn, the frustrated O’Malley succumbed to the overtures of Los Angeles officials and boosters, who offered him Chavez Ravine, a plot of a few hundred acres near downtown, to build his dream stadium.

“O’Malley’s main disappointment was having lost his battle to build a new stadium in Brooklyn,” D’Antonio writes.

“During his lifetime, the whole truth about his failure, and about the Dodgers move west, would never be told…. O’Malley would be perceived as a greedy traitor who had yanked the very soul out of New York’s most populous borough.”

D’Antonio writes that O’Malley had been trying to replace Ebbets Field he assumed part-ownership of the Dodgers in 1944. Since the Dodgers’ departure, Ebbets has become fondly remembered in nostalgia, but D’Antonio described it as being “in a state of elegant decay” at the time, with attendance flagging despite the team’s stellar play. The 1913-built stadium seated a mere 32,000 fans, and perhaps more damningly, did not have sufficient parking to accommodate the many former Brooklynites who were leaving for the suburbs in droves.

To ensure the Dodgers’ long-term solvency, O’Malley wanted to build a 50,000-seat stadium at Flatbush and Atlantic, an area described by D’Antonio as being “dominated by a municipally run meat market, a sprawling, rat-infested abattoir where blood ran in the gutters.” A new stadium, O’Malley felt, would metamorphosize the area. It would also be conveniently located near the Atlantic Avenue transit hub, and have ample parking.

“Once O’Malley assumed full control of the team, in 1950, the new ballpark became his El Dorado, if not his white whale,” D’Antonio writes.

But Moses opposed to this plan. In an interview with the New York Times, D’Antonio summed up the reasons:

“I think that an inner-city stadium served mainly by mass transit conflicted with the Moses vision for the future of New York City. He was, for lack of a better word, a ‘car guy,’ and as early as the 1930 he had identified Flushing Meadows, Queens,” he said.

“Also, Moses said he was reluctant to use his power to help O’Malley acquire land under a slum redevelopment program, because he thought the law didn’t allow him to aide commercial project.”

He concluded: “Finally, if you dig deeply enough you discover that when Moses was a young good-government crusader, his efforts to fight Tammany Hall were defeated by a political machine that included O’Malley’s father Edwin. He was commissioner of the notoriously corrupt public markets. I think Moses associated the O’Malley name with his defeat and old-style pols.”
In the book, D’Antonio succinctly describes Moses’ power: “By mid-century, if he wanted something built in New York City, it got built. If he didn’t, he stopped it.”

The resistance of New York City officials starkly contrasted with the enthusiasm of the L.A. contingent, which had been soliciting O’Malley since 1950. O’Malley was initially resistant, D’Antonio writes, but his mind began to change as it became clear to him that New York was not serious about giving him the land to build his new stadium.

So O’Malley decamped to L.A., becoming a villain to Brooklynites but a hero and visionary to Angelinos.

Summing up his thesis, D’Antonio writes: “O’Malley had been drawn into a political game that was rigged against him. He had wanted to build the iconic ballpark in Brooklyn. Instead, he was maneuvered into the role of baseball’s Benedict Arnold. How this occurred is a case study in the power of the most imperious bureacrat in the history of urban America: Robert Moses.”

Forever Blue: The True Story of Walter O’Malley, published by Riverhead, is available through Amazon.com.

--Greg Hanlon
(Published in the 5.21.09 issue of 24/Seven)

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Wednesday, May 20, 2009

Collecting Currently

The Brooklyn Museum is launching a new evening series on art collecting for seasoned collectors and those just curious.



The first class, Collecting in Brooklyn, is next Wednesday, with another on creating a niche collection on June 7.



From the Museum:

Collecting in Brooklyn


Wednesday, May 27, 7 - 8:30 p.m.


Familiarize yourself with the work of emerging Brooklyn artists and develop insider strategies for art collecting. Moderated by András Szántó, senior lecturer at Sotheby's Institute of Art and co-founder of ArtWorldsalon.com, the panel includes Danny Simmons, noted artist and collector; Joe Amrhein from Williamsburg's Pierogi gallery; Steve Weintraub of Arts in Bushwick; and Jen Bekman of Jen Bekman Gallery and Jen Bekman Projects, Inc.

Creating a Niche Collection


Wednesday, June 10, 7 - 8:30 p.m.


Receive insight into building a collection that reflects your passion and personal interest. Moderated by Barry R. Harwood, Brooklyn Museum curator, the panel includes Michael Valentine, collector and publisher; Eric Silver, private dealer, a featured appraiser on the "Antiques Roadshow," and Director of Lillian Nassau LLC; Robert Lesser, collector; and Katherine Griefen, Director of A.I.R. Gallery.

Registration
Registration is $20 per session ($15 for Members) or $36 for both sessions ($28 for Members). Wine included. Wine bar opens at 6:30 p.m. To register, visit http://www.museumtix.com/.

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Get behind the bar

NY Press reports on Brooklyn's first bartending school - scratch that, academy - with classes at Williamsburg's Artland Bar.

For $300, the Brooklyn Bartending Academy will teach you everything you need to know, from making drinks to dealing with difficult customers, taught by Brooklyn's best.

On the syllabus are Bar/Alcohol Basics, Mixing Drinks, Customer Service, Bar Management, and Making Maximum $$.

Sound like the right school for you? E-mail info@brooklynbartending.com or call 917-639-6789.

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Welcome to Littlefield

The wait is over.


Last week, Littlefield, the Gowanus's newest bar/venue, had a soft opening.

Now, the spot is gearing up for its first weekend of (free) live shows, with Golden Triangle and Sisters on Friday and the Hundred in the Hands and Cruel Black Dove on Saturday.
According to NY Mag, the space will also provide film screenings and a bar with a cocktail list courtesy of WD-50’s bar manager, Tona Palomino.

Littlefield is located on Degraw between Third and Fourth avenues.

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Tuesday, May 19, 2009

Taste of Coney Island in Greenpoint

A sword swallower, a human blockhead and Nathan's hot dogs.


Sounds like Coney Island, right?

Well, this Thursday, Greenpoint will have a taste of the People's Playground when beer store Brouwerij Lane hosts a sideshow-themed event to showcase the Coney Island Craft Lagers.

From 7 to 9 p.m., you can sample and purchase the lagers, which include the Human Block Head, a thick, dark lager, the Sword Swallower, similar to an American pale ale, and the Albino Python White Lager, a white lager.

All of the Coney Island Beers are brewed and bottled in Saratoga Springs, NY, and proceeds go to help Coney Island USA, a non-profit devoted to preserving the lost forms of American popular arts and culture in Coney Island.

Brouweij Lane is located at 78 Greenpoint Ave. For more information, call 718-963-4140.

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Welcome back to high school

Two events are coming up in Brooklyn this Thursday that make us feel like it's high school all over again.

Bushwick's Refuge will host Art Class, an exhibition of art you made in high school. It doesn't have to be good - or it can be - so dig around and dust off those old watercolors and tempera paintings to put on display, and even sell if you want at your own price.

All submissions must be accompanied by a title, approx. age at creation, and a short but pretentious description that sounds like "juxtaposing the recontexualized neo-Leninist paradigm with an exploration of the intangibility of imagination."

Popular music from the late 1990's will be playing in the background to further fit the mood.

Art Class will be from 8 p.m. to 2 p.m. at Refuge (1532 Decatur St.) To submit work, email info@refugenyc.org.

That same night, the Music Hall of Williamsburg will host The Prom You Were Promised, a benefit for 826NYC featuring DJ sets by Vampire Weekend, Pat Mahoney (of LCD Soundsystem) and Hercules and Love Affair, and hosted by Leo Allen.

We always thought we could do prom much better today than we did back in high school, from our dress to our dates to our post-prom comedy club stop, so come dressed in formal wear and re-live prom the way you always wanted.

The show is, sorry to say, sold out, but a few donor/VIP tickets are still available at http://www.826nyc.org/ or by calling (718) 499-9884 and cost $100.

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