Showing posts with label hipsters. Show all posts
Showing posts with label hipsters. Show all posts

Thursday, January 27, 2011

The Idiotarod is coming


By Aaron Short

Don’t be alarmed if you step outside next weekend and see monsters with shopping carts running by your stoop — it’s just the Idiotarod.

The famed third jewel of the hipster Triple Crown (after SantaCon and the No Pants Subway Ride), the eighth annual costume-themed shopping cart race will be unleashed through Brooklyn’s frozen tundra paths this Saturday.

Beginning at 10 am, three dozen teams will push elaborately decorated carts to be rewarded with the adulation of their peers and drink specials.

The ultimate prize, Best In Show, is awarded not to the fastest team, but to the troupe that best embodies the Idiotarod’s free-wheeling spirit.

Last year, the all-female Fakewerk caught the judges’ eyes in sexy snow bunny costumes, pushing a cart that roasted marshmallows over an open flame.

Not to be outdone, two-time winner, the 60-member team, Dangerzone, deployed an ancient Roman-style fleet of “chariots” and “infantrymen” to capture the prize in 2009.

This year, the five-member team, Disasterpiece, 2010’s best costume winners, hope to secure top honors with their Ronald Dahl-esque, “Monsters Under the Bed” motif (pictured).

Teammates Rachel Brill, Emily Ente, Eric Sipra and Stephen and Paul Schaffenberger have spent three weeks fashioning giant paper mache monsters out of chickenwire and hundreds of copies of The Brooklyn Paper.

“Every year our costumes get more cumbersome and difficult to maneuver in, but, damn, we’re going to look fabulous,” said Ente.

Three members of the team ran in the marathon this past year, making them a favorite to finish in the top five, though multiple layers of primer, glue and spray paint that make their costumes highly combustible and vulnerable to open flame.

We may need to change our theme to ‘Monsters under the bed — on fire,’ ” said Stephen Schaffenberger.

“But we’ll be very warm,” added Sipra.

Idiotarod details are sketchy. E-mail corpxracingdivision@gmail.com for info.

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Wednesday, November 17, 2010

What hipsters hate


By Aaron Short

Some media publications have prematurely declared them dead. 

Other outlets have rued the day they ever lived.

But Brooklyn bloggers Andrea Bartz (right) and Brenna Ehrlich, who have meticulously tracked the vicissitudes of hipsters on Stuff Hipsters Hate for nearly two years, celebrate the subspecies’ eccentricities with an anthropologist’s intensity.

The women — who claim not to be hipsters themselves — have released a chatty new book out breaking down the different aspects of what it means to be a hipster, particularly one that happens to live in Williamsburg. Naturally, we had a few questions, so we sent our least-hip reporter, Aaron Short, to grill these two like a piece of farm-raised salmon.

Aaron Short: Why are hipsters so fascinating? 

Andrea Bartz: We’re mocking both cultures, depending on how you read it. From the hipster perspective, we’re tearing apart bros, but from a meta perspective, we’re poking fun at hipsters. Our goal is to not come off as pro- or anti-hipsters. Oddly, some have thought we hate hipsters based on the book, while you seem to think we side with them. Mission accomplished.

Hipsters are fascinating because they live in a manner most people wouldn’t dare to embrace. They’re anti-consumerism, commercialism, buying a condo and having a 401K. Hence, the moniker “counter culture” — they’re counter to the culture at large. The casual observer would likely find that kind of anti-establishment ethos interesting.

There has always been one counter culture, which has caught the attention of the public, usually one that dresses strangely or acts wildly, such as punks, hippies, and beats. Hipsters are the latest iteration of that stream of cultures.

Short: Will hipster culture change going forward now that we’re in an extended economic slump?

Brenna Ehrlich: Hipster culture will change no matter what. That’s the nature of it. Hipsters are always looking for the newest patterns or trends. Luckily, there are a ton of vintage shops and whatnot at which they can indulge those desires. Yes, recycling trends of yore is the forefront of novelty.

As for the economic slump aspect, again, counter cultures tend to emerge in time of hardship, when young people feel dissatisfied with the status quo. Some people claim that hipsterdom flared up again after 9-11. An economic depression is sure to feed the fires of creativity. If you can’t get a full-time job, why not bartend and pursue those floss-and-traffic-light-glass installations?

Short: Which was the part of the book that was the most fun the write? The easiest? The hardest?

Ehrlich: I liked the essays, myself. For me, the charts were the hardest, because I don’t think in that visual a fashion. 

Bartz: In turn, I liked sketching out the charts, presenting information in visual ways. I tend to think that way so it was fun taking an abstract idea we found funny and literally drawing it on paper. We did a lot of back-and-forth with drafts, adding different elements, and it was always amusing to read with ridiculous detail or new post the other had added to the menu.

Short: Where do you get some of your ideas and inspiration? Friends? Enemies? My colleague Stephen Brown, who was mercilessly eviscerated in diehipster.com?

Bartz: Everywhere! A walk down the street can yield a bookshelf worth of ideas. Our lives, our friends’ lives, our weekend nights out, our romantic interests’ lives are all fair game. We try not to pointedly attack anyone, though.

Short: Will hipsters ever move from Williamsburg and Bushwick? Where are the next neighborhoods?

Ehrlich: Of course. That’s how gentrification works. Bushwick is probably going to blow up pretty soon. Maybe Bedford-Stuyvesant next? There are plenty of less-fished areas of the ’burg and Greenpoint, too, just asking to be overrun. 

Short: When did the backlash against hipsters among Brooklynites, starting with sites such as diehipster and sometimes your site, begin and where is it coming from?

Bartz: We’re not anti-hipster, number one. Number two, there’s always a backlash against the reigning culture. Hipsters have dominated Brooklyn, just ask the old Polish ladies in my hood, and people resent them for that. It started full force around this year, not just in Brooklyn, but countrywide, but I imagine as soon as trendy bars started to outnumber neighborhood joints. 

Ehrlich: In general, as we’ve alluded to before, hipsters are not only the current “cool kids,” which sets ’em up for derision from the get-go, they’re also a group often defined by their sighing superiority over everything else, other neighborhoods, works of art, other people’s life choices, and you. One solution is to put down the put-down-ers. 

Stuff Hipsters Hate at Greenlight Bookshop [686 Fulton St. at S. Portland Avenue in Fort Greene, (718) 246-0200], Nov. 18, 7:30 pm.

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Wednesday, May 26, 2010

Southpaw's 'Hipster Demolition Night' is music without pretense

Jay Banerjee hates hipsters.

The Manhattan musician dislikes them so much he is creating a night of irony-free garage, beat and power pop to battle what he calls “hipster noodling” — art-damaged, non-musical “music.”

It’s called Hipster Demolition Night, and it’s happening on May 27 at Southpaw in Park Slope.

“It’s a miniature revolution — a revolt against what’s been dominating the scene for far too long,” said Banerjee, 27, who rehearses in Greenpoint with his band, the Heartthrobs.

“We’re battling hipsters for the quote-unquote underground rock scene. Ninety-five percent of ‘American Idol’ winners that you hear on the radio — that’s not even part of the battleground here.”

It’s not a violent revolution, mind you; Banerjee’s weapon of choice is the guitar, his ammo chord progression, song structure, and “music you can sing along to.”

“I don’t advocate violence, because I don’t hit men with glasses, even Day-Glo orange ones,” said Banerjee.

In addition to his band — an early-Beatles, new wave-influenced four-piece — Banerjee’s recruits include The Split Signals (featuring Jonny Chan, a veteran of the garage rock scene), The Above, another Brit invasion-inspired act, and The Paul Collins Beat, led by the founding member of the power pop bands The Beats and The Nerves, who originally recorded “Hanging on the Telephone,” made popular by Blondie.

“He still rocks,” said Banerjee of Collins. “He’s the greatest.”

The musician envisions Hipster Demolition Night being a regular thing, and even has the next one set for the summer, this time in the hipster heartland – at Glasslands Gallery in Williamsburg.

“Anything called Hipster Demolition Night has to be in Brooklyn,” said Banerjee. “If you’re holding it in Manhattan, you might as well hold it in Iowa.”

Though that would be, of course, a hipster breeding ground.

“Hipster Demolition Night” at Southpaw [125 Fifth Ave. between Sterling and St. John places in Park Slope, (718) 230-0236], May 27 at 8 pm. Tickets $10. For info, visit www.facebook.com/greatmusic.

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