Wednesday, January 5, 2011

The Mus-o-meter registers Buke and Gass's 'Riposte'


Aron Sanchez and Arone Dyer’s latest project, Buke and Gass, has put these veteran musicians on the map. A lot of sound manages to come from these two tiny people, thanks to their employment of foot percussion and homemade instruments (hear them live this Saturday at Silent Barn). But to really get a sense of what it’s all about, we leave that up to the math of the Mus-o-meter.

Take the prog-rock of Fugazi’s 1991 debut, “Repeater.” Then add …










The folk-psych tendencies of Akron/Family’s 2007 album, “Love is Simple.” Then add …










The mesmerizing, hypermelodic vocals by Karen O. on the Yeah Yeah Yeahs’ 2004 debut, “Fever to Tell.” The result?









Buke and Gass’s debut full-length, “Riposte.”

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Check out Super Mirage this Friday


The men of Super Mirage are here to entertain you.

Sure, the pop quartet is big on leaving its record stamp — the band released its debut full-length, “Pretty Lies,” a collection of high-energy, dance-ready indie-pop songs, this past summer — but the live show presents even more possibilities than a said-and-done album.

“We want to make sure that every single show is something unique,” said the band’s Bushwick-based frontman Nathan Leigh.

That’s meant employing the help of burlesque dancers, costumes, backup singers, dancers, and massive horn sections to make each show a theatrical and memorable one.

For the band’s next live act, at Williamsburg’s Trash Bar on Jan. 7, Leigh and crew are still figuring out how they want to top burlesque dancers and brass sections, but rest assured, something memorable is in the works.

“We’re a pop band,” said Leigh. “Our music is intended to be fun, and we want the audience to have fun. That’s the point of seeing us play.”

Super Mirage at Trash Bar [256 Grand St. near Roebling Street in Williamsburg, (718) 599-1000], Jan. 7 at 11 pm. Free. For info, visit www.supermirage.com.

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Tuesday, January 4, 2011

Quoteable

The Village Voice's Robert Sietsema, in defense of Brooklyn and its culinary supremacy:

"He who tires of Brooklyn tires of life."

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Praise Patton


Patton Oswalt may be the least likely Renaissance man.

The celebrated comedian, TV writer, voice actor and TV and film actor can now add memoirist to his cache.

In “Zombie Spaceship Wasteland,” out early next month, Oswalt offers a collection of essays inspired by eccentric relatives, his experiences working at a movie theater, a passionate defense of Dungeons and Dragons, and even a parody of the vampire trend, in comic-book form.

The title? It refers to Oswalt’s theory that young boys’ minds are drawn only to zombies, spaceships or wastelands (he was partial to the latter, which explains why he’s constantly mining our wasteland of pop culture and fatty foods for comedic inspiration).

Oswalt, whom you may already know from his frequent “Comedy Central” appearances, or work on “The King of Queens,” “Ratatouille,” and, in a startling change of pace, last year’s “Big Fan,” will read from his new book — and take your questions — on Jan. 8 at the Warsaw in Greenpoint.

“When we saw that Patton had a memoir coming out I was like, Oh my gosh, we have to have him,” said Jenn Northington, event manager at Greenpoint’s Word bookstore, which is organizing the event. “It’s an amazing book. It should be a good time.”

Patton Oswalt at Warsaw [261 Driggs Ave. at Eckford Street in Greenpoint, (718) 387-0505], Jan. 8 at 5 pm. Tickets $25, and include a copy of Oswalt’s new book. For info, visit www.wordbrooklyn.com.


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A cabaret with heart


Pasties and glitter and drag, oh my!

Expect all three — and more titillating fun — in Conatus Productions’ “Friends of Dorothy,” a “Wizard of Oz”-inspired cabaret at Galapagos Art Space in DUMBO from Jan. 6 to 8.

This makeover of L. Frank Baum’s classic, a hit at the last Fringe Festival, may be campy, but it still follows the famous Dorothy, though the tornado transports her from Kansas to the land of Bras, where she and The Cowardly Pussy, a rapping Tin Man and aerialist Scarecrow, battle the Wicked Bitch of the West to prevent her treasured Ruby Red pasties from falling into the wrong hands.

Along the way, there’s some eye-popping burlesque, drag, aerial, magic and circus performances by the likes of Rita MenWeep, Sizzle Dizzle and Jenny C’est Quoi. Toto, in this scenario, takes the form of a cherished iPod that holds songs by the 1970s pop band Toto.

No, you’re not in Kansas any more.

“Friends of Dorothy: An Oz Cabaret” at Galapagos Art Space [16 Main St. at Water Street in DUMBO, (718) 222-8500], Jan. 6 at 9 pm and Jan. 7 and 8 at 8 pm. Tickets $20. For info, visit www.galapagosartspace.com.


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Monday, January 3, 2011

This comic's the ticket

Stop what you’re doing right now and get tickets to Daniel Kitson’s one-man show at St. Ann’s Warehouse.

We mean it!

The British comedian sells out shows faster than a Grizzly Bear concert on the Williamsburg waterfront, with good reason.

For the past handful of years, Kitson’s gained steady acclaim for his so-called “story shows” — essentially, theatrical storytelling that requires little in the way of props or setting, just the comedian’s enthralling words. His last one in New York was five years ago with “A Made-Up Story,” though he’s occasionally come back since for packed stand-up performances at the Bell House and Union Hall.

His latest story show, “The Interminable Suicide of Gregory Church,” in previews starting this Thursday, tells the true story of a man who took over 20 years to commit suicide — life just got in the way. Specifically, 57 letters he intended to write to friends and family. Kitson’s monologue is based on over 30,000 letters found in Church’s attic, resulting in a poignant, absorbing show by one of the UK’s best talents.

Seriously, why are you still reading this? The ticket number is below.

“The Interminable Suicide of Gregory Church” at St. Ann’s Warehouse [38 Water St. between Dock and Main streets in DUMBO, (718) 834-8794], Jan. 6-30, Tuesday-Saturday at 8 pm and Sundays at 4 pm. Tickets $35-$60. For info, visit www.stannswarehouse.org.

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'Kings' for a day


By Erica Sackin

For many children, the highlight of the Christmas season is Dec. 25, but in Brooklyn’s Latino community, the real fun often starts on Jan. 6 — Three Kings Day.

And on this celebration of the birth of Jesus, the highlight is a good Three Kings Day cake, also known as Rosca de Reyes, a ring-shaped bread topped with sweet dried fruit and pocked with hidden toys throughout.

Though recipes vary, all roscas de Reyes are made from yeast, flour, eggs, butter, sugar, and an array of candied fruits (which can include figs, orange peel, and even candied and colored cactus). Depending on the size of the cake, anywhere from three toys to 15 can be placed inside, though for a little more money most bakers are happy to add extras.

“My favorite part is when you put the toys in,” said Niceforo Sosa of La Villata Bakery in Williamsburg. “You try and make people guess: will the toy be in this piece or that piece?”

Sosa has been making the scrumptious sweet breads since the 1980s and now operates out of a tiny bakery on the corner of Grand Street and Bedford Avenue. Because the cakes are such a special tradition, the bakery only makes a few each year, selling them right before the actual holiday. This means a precarious guessing game — foreseeing just how many cakes he’ll need before cake production shoots into high gear about a week before the holiday.

Still the cakes themselves are worth it. “We may only sell a few,” Sosa said, “but they’re delicious.” 

Miguel Lopez, on the other hand, makes several thousand Roscas de Reyes each year at Don Paco Lopez Panaderia in Sunset Park, one of the oldest Mexican bakeries in Brooklyn.

The bakery tops its bread with traditional figs and candied orange peel, as well as with candied cactus fruit died colorful reds and greens for the holiday. The secret ingredient, however, is orange flavoring. Though you can’t taste the orange, you can taste its affect on the dough, signaling that what you are eating is in fact an authentic Rosca de Reyes.

“A lot of places sell Rosca de Reyes,” said Lopez. “But they use a traditional sweet bread dough, not the dough for Rosca de Reyes. We do our best to make the right bread and keep that tradition alive.”

Raul Gonzales (pictured), of Grand Morelos bakery on Grand street in Williamsburg, is also helping to keep the tradition alive. He’s been making Roscas for the past 14 years, and says that each year the bakery keeps fielding more and more orders for the kingly cake.

“We started out making about 20 to 30, then that became 80, and now we’re making over 100,” said Gonzales, who helps to make all the cakes by hand. “Believe me, it’s a lot.”

The bakery uses traditional dried fruits, as well as the less traditional peaches. Gonzales also uses lemon juice, and lets the dough sit and rise for a full 24 hours before baking, which helps to develop the flavor.

“You can’t know how good a cake is until you buy it and eat it,” Gonzales says. “It’s not how they look, it’s how they taste.”

La Vitalia [171 Grand St. at Bedford Avenue in Williamsburg, (718) 486-8761]: Grand Morelos [727 Grand St. at Graham Avenue in Williamsburg, (718) 218-9441]; La Princesa [94 Graham Ave. between Seigel and Moore streets in East Williamsburg, (718) 388-3399]; Don Paco Lopez Panaderia [4703 Fourth Ave. at 47th Street in Sunset Park, (718) 492-7443]; Las Conchitas Bakery [4811 Fifth Ave. between 47th and 48th streets in Sunset Park, (718) 437-5513]; La Gran Via Bakery [4516 Fifth Ave. between 45th and 46th streets in Sunset Park, (718) 853-8021].

Photo by Erica Sackin

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